Sunday, February 03, 2013

DJango and DJango Unchained

Quentin Tarantino's use of the Luis Bacalov Django 1966 composition, featuring Rocky Roberts' Elvis-style vocals from the  Franco Nero starrer in his latest cinematic feast DJango Unchained is pure genius! [Loved his Kill Bill Vol 1 use of *Santa Esmeralda's I'm just a soul whose intentions are good, oh Lord please don't let me be misunderstood]'.

Trailer for DJango 1966:

Details for the tune:

Song from spaghetti western film Django (1966)
Directed by Sergio Corbucci
Starring Franco Nero
Music composed by Luis Bacalov
Song performed by Rocky Roberts (see image right)

From here:

End of DJango 1966:

DJango Unchained 2012 trailer:

Quentin Tarantino interview on UK Channel 4 News 
Channel 4 news' Krishnan Guru-Murthy provocative interview with Quentin Tarantino
"KGM: Let me ask you about violence. You said, you know, everyone knows you make violent movies, you like violent movies. Why do you like making violent movies?
QT: Erm... I don't know. It's like asking Judd Apatow: "Why do you like making comedies?"
KGM: You just get a kick out of it? Or you just enjoy it? Or...
QT: It's... It's... It's a... I think... I think it's good cinema. I consider it good cinema. You know, it's... You sit there in a movie theatre when these cathartic, violent scenes happen... I'm talking about the cathartic violence scenes.
..Then there's the cathartic violence of Django paying back blood for blood.
KGM: Is that why you think people like watching violent movies -- people who are not violent people or twisted people in any way, but why it's OK to go into a movie and enjoy the violence?
QT: Yeah, well, it's a movie. It's a fantasy. It's a fantasy -- it's not real life. It's a fantasy. You go and you watch. You know, you watch a kung-fu movie and one guy takes on 100 people in a restaurant. That's fun!"

Make up your own mind, about whether movie producers should be held responsibility for violence, rather than the perpetrators, and view the full Guru-Murthy & Tarantino's interview here: 

From Ian Jack's article in the Guardian:

"To chastise the director for fictions and anachronisms may be to miss the point. We know Tarantino's interest doesn't so much lie in history as in the history of films; not so much in the time depicted as in previous depictions of the time. Spaghetti westerns, blaxploitation movies, John Wayne: all get their salute as the two men change the purpose of their travels from the hunt for profitable criminals to the finding and freeing of Django's wife, who is still enslaved on a Mississippi plantation owned by the capricious Mr Candie (Leonardo DiCaprio). And yet Tarantino, to judge by his promotional interviews, wants it both ways: to create a preposterous entertainment and at the same time to have it taken seriously as a rewarding study of American slavery."

Read more here:

I loved the movie and hope it wins the 5 Oscars it's nominated* for (including "Best Writing, Screenplay Written Directly for the Screen" for Tarantino).

*Addendum: Congratulations to  DJango Unchained team, the film won 2 Oscars in 2013: Quentin Tarantino for Original Screenplay, and Christoph Waltz for Supporting Actor.

That *Santa Esmeralda tune:

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